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A periodical focusing on theoretical and critical texts reflecting contemporary art.
At the heart of this issue are three studies following on the international conference “Art Criticism 2.0”, which took place last November as one of events surrounding Věra Jirousová Award. Elisa Rusca warns of the pitfalls linked with using social media for art criticism purposes, pointing out that specialist analyses can be replaced simply by the quantitative measurement of popularity. Eve Kalyva interprets the interplay of social media and contemporary art as part of the broader process of the commodification of culture under neoliberalism. Sebastian Mühl examines the question of the critical evaluation of the outputs of “artistic research” from the perspective of their cognitive and aesthetic status. These texts are available in Czech in the printed edition and in the original English in the online magazine. This edition also contains a translation of a text by Luis Camnitzer, in which this renowned representative of conceptual art offers an interpretation of the transformation of the concept of an arts education during the course of the twentieth century, and formulates a manifesto for the emancipation of the process of teaching art from the shackles of the academic world. The edition closes with a review by Slavomíra Ferenčuhová of the essay by Hubert Guzík on the phenomenon of the koldom, or collective house, in Czechoslovakian architecture of the mid-twentieth century.
|Author||Eve Kalyva, Luis Camnitzer, Elisa Rusca, Sebastian Mühl, Slavomíra Ferenčuhová|
|Editor||Václav Magid, Jakub Stejskal|